​A fantastic voyage, the illusion of good taste, the art of subtraction 

Must Read

Weekly curated resources for designers — thinkers and makers.

“The invisible walls for designers have been broken down. Maybe we don’t know it yet, but this year is the perfect time to start reframing the influence and vision of product design within and beyond companies.”

Product design in 2026: the beginning of a fantastic voyage?
By Kike Peña

New playbook on modern research: Building Influence through Participation
[Sponsored] Researcher Mahad Bullo rebuilt his research model to produce 4x the output with fewer resources. This playbook reveals he turned stakeholders into active participants, structured projects around AI, and shared insights instantly. Read the playbook.

Editor picks

The UX Collective is an independent design publication that elevates unheard design voices and helps designers think more critically about their work.

Charcuterie: a visual explorer for Unicode →

Make me think

  • Thoughts and feelings around Claude Design
    “Why fuss around in a lossy approximation of the thing when you can work directly in the medium where it will actually live? If we want to make pottery, why are we painting watercolors of the pot instead of just throwing the clay?”
  • I love AI, but it still can’t design for shit
    “People. This is basic. You are accountable for your output. The AI does not look bad if your AI slop is on show. You do. Especially if the person the other end knows anything about how these models work.”
  • Expansion artifacts
    “Every AI-generated output is an extrapolation from that blurry source, vectored toward your prompt, filling in plausible detail where the compression threw information away. The output gets inflated into blog posts and LinkedIn thoughtspam, software platforms, omnichannel advertising campaigns, and movie cameos from dead actors. Chiang compared the gaps and confabulations to compression artifacts.”

Little gems this week

The art of subtraction in a world of infinite features
By Luis Hermosilla

Learnings from designing open source technology
By Aly Blenkin

AI is ruining the way you talk about your work
By Hoang Nguyen

Tools and resources

Support the newsletter

If you find our content helpful, here’s how you can support us:


A fantastic voyage, the illusion of good taste, the art of subtraction was originally published in UX Collective on Medium, where people are continuing the conversation by highlighting and responding to this story.

  Weekly curated resources for designers — thinkers and makers.“The invisible walls for designers have been broken down. Maybe we don’t know it yet, but this year is the perfect time to start reframing the influence and vision of product design within and beyond companies.”Product design in 2026: the beginning of a fantastic voyage? →By Kike PeñaNew playbook on modern research: Building Influence through Participation →[Sponsored] Researcher Mahad Bullo rebuilt his research model to produce 4x the output with fewer resources. This playbook reveals he turned stakeholders into active participants, structured projects around AI, and shared insights instantly. Read the playbook.Editor picksRethinking the shape of design teams in an AI world →For our juniors, organizations, and future generations.By Darren YeoThe misrepresentation of “good taste” →One of the most misleading phrases in UX at the moment.By Maria TanevaThe web trained AI to deceive →Now designers have to un-train it.By Arin BhowmickThe UX Collective is an independent design publication that elevates unheard design voices and helps designers think more critically about their work.Charcuterie: a visual explorer for Unicode →Make me thinkThoughts and feelings around Claude Design →“Why fuss around in a lossy approximation of the thing when you can work directly in the medium where it will actually live? If we want to make pottery, why are we painting watercolors of the pot instead of just throwing the clay?”I love AI, but it still can’t design for shit →“People. This is basic. You are accountable for your output. The AI does not look bad if your AI slop is on show. You do. Especially if the person the other end knows anything about how these models work.”Expansion artifacts →“Every AI-generated output is an extrapolation from that blurry source, vectored toward your prompt, filling in plausible detail where the compression threw information away. The output gets inflated into blog posts and LinkedIn thoughtspam, software platforms, omnichannel advertising campaigns, and movie cameos from dead actors. Chiang compared the gaps and confabulations to compression artifacts.”Little gems this weekThe art of subtraction in a world of infinite features →By Luis HermosillaLearnings from designing open source technology →By Aly BlenkinAI is ruining the way you talk about your work →By Hoang NguyenTools and resourcesThe rulebook for designing AI experiences →Guidelines from three of the largest tech companies.By Dora CzernaBecoming an AI-native designer →On demos, tacit knowledge, and building your own scaffolding.By Sen LinHow to mitigate risks with AI →AI that simply makes sense in an enterprise environment.By Matt JedraszczykSupport the newsletterIf you find our content helpful, here’s how you can support us:Check out this week’s sponsor and support their work tooForward this email to a friend and invite them to subscribeSponsor an editionA fantastic voyage, the illusion of good taste, the art of subtraction was originally published in UX Collective on Medium, where people are continuing the conversation by highlighting and responding to this story.  UX Collective – Medium

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